David
Downing: "Journey to Joy: C.S. Lewis's
Pilgrim's Regress"
This
is the 80th anniversary of Lewis's writing of The
Pilgrim's Regress.
Comparison
to Augustine's and Paul's spiritual journeys. Recap of the crucial
conversation with Tolkien {and Dyson!} about how “The Dying God”
myth was not an argument against Christianity, but an argument for
Christianity. He wrote The Pilgrim's Regress
in two weeks (!) in August of 1932.
“Our
best havings are wantings”--Lewis to Arthur Greeves—a motif for
Lewis' whole life.
- Lewis's first book of fiction
- first Christian book
- first book published under his own name
- first book written in 2 weeks that is still in print 80 years later
Lewis
added the notes/commentary later: there are 300 allusions in a
200-page book! Arthur Greeves asked him to cut them down. Helpful
resource: http://lewisiana.nl/regressquotes/
1915:
he wrote a poem called “My Western Garden,” an evocation of this
island paradise
1920:
poem called “Joy” about the desire—before he is a Christian
Pilgrim's
Regress was a culmination of a
long spiritual process
1930:
as a theist, 50-page MS about journey from atheism to theism: you
don't have to choose between syllogisms and psychosis.
Then
wanted to recast his journey as The Aeneid.
Differences
between Bunyan & Lewis:
- Christian has to leave to escape destruction (negative motivation); John leaves to seek islands (positive motivation)
- Christian is a grown man; John is a young boy[Geography of Bunyan's pilgrimage is based on real geography between Bedford and London]
Lewis
saw some flaws in Bunyan: too narrow-minded about salvation, and
makes mistakes in the allegory, and does too much exposition. These
are also the most common critiques of Regress.
After
the insanity and death of Mrs. Moore's brother, Lewis wrote Greeves:
“Stay on the main road; do not go off on the byways!” Most of the
byways to the North are excessive rationality; most of the byways to
the South are sensual?
It's
rather shocking that he was writing allegory in the '30s, since it
was so out of fashion, considered inauthentic. Over-determined
meanings. His intellect and imagination reinforced one another:
writing Allegory of Love
and an allegory; later writing Preface to Paradise Lost
and his own paradisical story. “...all good allegory exists not to
hide but to reveal”--Preface to PR; “The function of allegory is
not to hide but to reveal”--The Allegory of Love;
“in so far as the things unseen are manifested by things seen, one
might call the whole material universe all allegory”--Letter, Dec
10, 1956
Experiences
of “joy” or “sweet desire”:
- the “idea of autumn” in stories of Beatrix Potter
- “northernness” in Norse myth
- “the enormous bliss of Eden” in Warnie's toy garden {or in the memory of it?}--Arcadia, Hesperides, Eden...
Characters
and who they may satirize:
- the Steward of Puritania
- Mr. Enlightenment (Herbert Spencer {?})
- Mr. Halfways & his son Gus (William Morris & Clive Bell?)--the Romantics can only get us halfway to the island; but they can get us halfway!
- The Clevers (Edith Sitwell as Victoriana? D.H. Lawrence as Mr. Phally?)--decadent aestheticism, erotic mysticism/religion of sex.
- The Spirit of the Age / Sigismund Enlightenment (Freud); religion as wish-fulfillment; sweet desire as projection of repressed lust; unconscious complexes as the true self
- Reason as a virgin knight – couldn't sex [and all other wants] be a sublimation of sweet desire, rather than the other way around? Giving a person sex when he has sehnsucht is like taking a thirsty man and giving him a mutton chop.
- The Grand Canyon = the Sin of Adam (Pelagianism?)
- Mr. Sensible (Michel de Montaigne? Emerson?) - the dilettante, the epicure
- Three Pale Men: Mr. Neo-Angular (T.S. Eliot), Mr. Neo-Classical (T.E. Hulme), Mr. Humanist (Irving Babbitt)
- Three violent men: Marxomanni and the Red Dwarfs (Stalin); Swastici and the Black Dwarfs (Hitler); Mussolimini (Mussolini)
- Mr. Wisdom (The English Hegelians: Bradley, Green, Bosanquet)
- The Hermit, History
History
presents an outline of “progressive revelation”: the Tao,
numinous experiences, good dreams, sehnsucht,
the Hebrew Scriptures, then finally the Incarnation.
John
dives into the canyon, meets Mother Kirk, dies and is reborn, then
has to cover the same terrain again with his new spiritual
perspective. There and
back again, like Bilbo.
Both of his parents were dead, as were Lewis's by the time he came
back to faith.
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