This
two-episode story is one of the tightest, best-written, and
best-acted I've seen so far. It's just packed with brilliant themes
and lots of heartbreak. I could write about the love story, the christological
themes, the historicist look at the first world war, or so
many other topics. I could rave about how these two episodes are a
showcase for Tennant's consummate acting skill. I could approach them
psychoanalytically, through the Doctor's dreams.
But
instead, I want to talk about Meta-Narrative
and
about The
Causes of Creepiness.
OK,
meta-narrative is not the right word for what I'm going to discuss. A
meta-narrative is a big story that explains everything: science,
religion, etc.
What
I'm thinking of is more like a sub-narrative: The
Journal of Impossible Things. This
is the diary John Smith keeps of his dreams, which are dreams of the
truth. There are many, many layers here: there is reality, which is
his past as the Doctor. There are revelatory dreams, in which he
dreams the truth but thinks it's fiction. There is the Journal
itself, in which he writes truth as if it is fiction. The Journal is
a beautiful artifact, and a beautiful plot device. With images and
text, it takes reality and pushes it into a fantasy realm (from the
Doctor's point of view), while simultaneously giving that disbelieved
reality a new plausibility (to Joan Redfern's point of view).
Then
there is the real-fiction of his life as John Smith, which is a real
life on earth in a certain place, at a certain time, with real
relationships with other people, but which is less real (in one
sense) than his true identity as The Doctor and more real (in another
sense) as a human existence. It is a real life, for a few months, in
which he falls in love with a woman in as serious a manner as man has
ever done. For her, this is all the reality: love and heartbreak.
Then
there is Martha, again filling in for the viewer, watching him with
all of her inside and outside knowledge: only she knows all the
stories.
The
second theme I want to pick up on is that of The
Causes of Creepiness.
The writers of Doctor
Who do
a brilliant job creating explanations
for creepy things. What creeps you out for no reason? Spiral
staircases? Gauzy window curtains moving in a evening breeze? Or
maybe angel statues, mirrors, or scarecrows? Whatever it is,
eventually an episode of Doctor
Who
will explain to you why those things are creepy—and will creep you
out permanently while doing so.
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